Steven Kasher Gallery_Leonard Freed: Six Stories / Renay Elle Morris_ September 2017
Hassidics of Brooklyn, 1954
Black in White America, 1963-65
Israel, 1962 and 1967
As fellow Magnum photographer Cornell Capa expressed in The Concerned Photographer, “… he (Leonard Freed) was a photographer of ordinary people going about their every day lives – at home, at work, and in the streets. He has a keen eye for social hierarchies and, in part because of his working class origins; he felt great solidarity with outsiders, and the oppressed.”
|Valera Cherkashin_ a portrait. |
Chosen for the advertising campaign
of FACE: 2.0_ an exhibition
Having premiered in 2012 at XVII Encuentros Abiertos _ Festival De La Luz, Buenos Aires, Argentina, this compelling portrait of Valera Cherkashin, created by the artistic team (husband and wife) Natasha and Valera Cherkashin and noted above, is from the original series, entitled: “Vibrations,” created in 2011. www.cherkashinart.com/vibrations After this successful presentation, a selection of images were chosen to be exhibited in 3 prominent Russian museum expositions known at FACE, which was on display from 2010 to 2015.
Now, in 2018, on view from 11 August – 02 September, and produced by the Yekaterinburg Museum of Fine Art, a new version of FACE, entitled, FACE: 2.0 will take place in Yekaterinburg, Russia, located at the crossroads of Europe and Asia. Continuing on with this theme, the Cherkashins, in concert with curator Andrey Martynov, along with the intense interest noted from a wide audience, has led to a revised collection_ a second incarnation. In addition, the Cherkashin’s have been invited to present a lecture sharing thoughts and ideas as well as introducing their own work on the subject of faces. Participants for FACE: 2.0 are a select group of international artists from Russia, the USA, Germany, Canada, Finland, Taiwan, South Korea, Italy, and Japan.
BY RENAY MORRIS
Although the weather outside was troubling, inside_ The Pier at 94th in New York City lit up any dreary notions with its presentation of THE PHOTOGRAPHY SHOW PRESENTED BY AIPAD. (05-08 April 2018.) For the 2nd year at its new home, dockside the Hudson River, the 38th edition of the highly selective photographic expo once again proved to be a mecca for a worldwide audience of photo enthusiasts. AIPAD (Association of International Photography Art Dealers) presented a brilliant range of museum-quality work, including the genres of contemporary, modern, and 19th-century photographs, as well as photo-based art, video, and new media. The venue was complete with 96 of the world’s leading fine art photography galleries, over 30 book sellers, 15 AIPAD talks, three special exhibitions as well as host of engaging events. It is the longest-running and foremost exhibition dedicated to the photographic medium.
|© Nobuyoshi Araki |
“Dead Reality”& Courtesy
Little Big Man Gallery, Los Angeles
|© Georg Baselitz. Photo |
© Jochen Littkemann
Courtesy White Cube
As publisher of Arstler, the web-based fine and applied art magazine, I am pleased to announce that Renay Elle Morris, our editor of photographic and fine art development has been selected to exhibit her photographic images at The APS Mdina Cathedral Contemporary Art Biennale to be held in Malta. The theme “The Mediterranean: A Sea of Conflicting Spiritualties” will be on display in the magnificent baroque halls of Malta’s Mdina Cathedral_famed for its rich archive of paintings, sculptures, drawings and artifacts of the decorative arts, architectural fragments, and curios. The 2017-2018 edition is a large-scale contemporary art exhibition, and follows the success of 2015-2016 where it initiated a framework for artists, curators and researchers to work together to establish a creative space. With a global following, invitations have been sent to Maltese and international artists who have set in motion the development of new works that challenge artistic and political conventions.