|© Nobuyoshi Araki |
“Dead Reality”& Courtesy
Little Big Man Gallery, Los Angeles
I would be remiss if I did not give an overview/highlights, as those not familiar will note that compliment to the rows of gallery spaces, a myriad of events spanned the fete, catching the eyes of curators, photo pros and amateurs alike, as well as a bevy of photo enthusiasts who find the art of the medium irresistible. It was an opportunity to participate in an appetizing array of forums/lectures curated by a coveted team of experts.
While visitors circulated_ making the rounds in an easy flow and welcomed by the suitably arranged lounge areas affording snacks,drinks and conversation, AIPAD introduced twelve new galleries_ 6×7 Gallery Warsaw; galerie SIT DOWN, Paris; In The Gallery, Copenhagen; Jean-Kenta Gauthier, Paris; MEM, Tokyo; Paul Nicklen Gallery, New York; Sears-Peyton Gallery, New York; Senior & Shopmaker Gallery, New York; The Ansel Adams Gallery, Yosemite National Park, CA; Three Shadows +3 Gallery, Beijing; Todd Webb Archive, Portland, ME; and Toluca Fine Art, Paris.
Among the planned activities were Solo Exhibitions/Themed Exhibitions, Performance/Politics, Visual commentaries on Social Issues and Resistance, as well Rare and Abstract Works. Three Special Exhibitions_
>A Time for Reflection, curated by Sir Elton John, with work selected from AIPAD member galleries and available for purchase, with a portion of sales to benefit The Sir Elton John Charitable Trust.
>Forever Young: Selections from the Joe Baio Collection of Photography, on childhood and adolescence, was on exhibit publicly for the first time.
>All Power: Visual Legacies of the Black Panther Party, curated by Michelle Dunn Marsh, Executive Director and Curator at the Photographic Center Northwest, showcases contemporary black artists who have been informed or influenced by the Black Panther movement.
And to note:
>The Staley-Wise Gallery of New York, featured famous rockers, including a 1974 photograph of John Lennon and Mick Jagger, a 1964 photograph of the Beatles reading their fan mail, and from that same year a portrait of Bob Dylan and Joan Baez with a sign that says, “Protest Against the Rising Tide of Conformity.”
>A solo exhibition at the Etherton Gallery, Tucson, was W. Eugene Smith at 100. This work is from the archive of Takeshi Ishikawa, who was Smith’s assistant for three years during the photographer’s time in Minamata, Japan. Some of the images of Smith at work in Minamata have never been shown outside Japan.
>I was struck by JHB Gallery’s amazing image “Crush & Pull” which I would learn was created by artist Ellen Carey. Her masterful use of the photographic medium combines Polaroid negatives and photograms_ a photographic print made by laying objects onto photographic paper and exposing it to light.
© Ellen Carey, “Crush & Pull”, 2018& CourtesyJHB Gallery, New York
© Renay Elle Morris_ renayellemorris.com
Portrait Studies was crowdpleaser_including those by Sally Mann, Ethiopian artist Aida Muluneh, as well as two_ of Winston Churchill and of Ernest Hemingway by Yousuf Karsh. And, Lynn Gilbert whose photography of iconic women including Ruth Bader Ginsburg, Billie Jean King, Louise Nevelson, Gloria Steinem, Susan Sontag, created a “time capsule” of the American feminist landscapes. Travel, always a draw included the reflective imagery of Roblert McCabe’s work, on view at galerie SIT DOWN, Paris, which spoke visually of the ancient world as well as 1950s Greece_ bucolic in nature.
Of special interest:
>AIPAD TALKS_ commentary by the most prominent of the art community. The agenda was complete with “Photography Talking Back”_ which addressed current issues and events.
>The second edition of the AIPAD Screening Room_ documentaries on photographers curated by award-winning filmmaker Mary Engel, Director, Orkin/Engel Film & Photo Archive.
>And, a ceremonial praise for Keith F. Davis, Senior Curator of Photography, The Nelson-Atkins Museum of Art, Kansas City, MO, this year’s recipient of The AIPAD Award which honors visionaries who have contributed to the field of photography.
© Jacob Giles “Santa Monica #1”& CourtesyINTHEGALLERY,Copenhagen, DK
© Edward Burtynsky “Shipyard #11”& CourtesyRobert Koch Gallery, San Francisco